LBCF: Fizzbinsationalism
Jul. 11th, 2025 09:12 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png){kind=small}
slacktivist_feedRapture Christianity claims the Bible it true for YOU, but that it wasn't true for every Christian who ever lived and died before special, oh so special, you.
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Assorted Stupidity #169
Jul. 11th, 2025 09:13 pmloweringthebar_feed
- “Kevin, do you have a category for people who accidentally set themselves on fire?” a reader asked this week. “Because you should.” The answer is “not specifically,” because that’s only funny if the person who did it was trying to commit arson—which, to be fair, is what happened in the story he forwarded me. And then it can be very funny. That story in particular receives major bonus points because (1) what the arsonist set on fire was his pants, and (2) it includes security-cam footage of that man “fleeing the chaotic scene with his pants on fire.” Recommended.
- Having said that, searching this site for the word “fire” does return highly relevant results, in that six of the entries on the very first page involve people who accidentally set themselves on fire. Three of those were about the Florida lawyer whose pants caught fire (it was probably arson) as he was beginning his closing argument in an arson case, something that still boggles the mind. Also recommended.
- On May 20, a Vermont court dismissed a lawsuit against the Burlington Free Press by a man who claimed it had not adequately covered his son’s performance in high-school basketball games. Lafayette v. Abrami (Vt. Super. Ct. May 20, 2025). According to the court, the plaintiff claimed “[t]his lack of coverage has hurt plaintiff’s son’s college prospects and caused plaintiff anxiety and stress, leading to uncontrollable vomiting, severe gastrointestinal distress, and panic attacks….” He sought compensatory and punitive damages for this outrage, but will get nothing.
- A former U.S. Army sergeant pleaded guilty last month to violating the Espionage Act by trying to sell information to the Chinese government. A plea was probably a good idea, given that evidence showed he had googled the phrase “can you be extradited for treason” (answer: it depends where you flee to) and had created a memo containing classified defense information that he titled “Important Information to Share with Chinese Government.”
- I and apparently hundreds of other lawyers have received emails purporting to be from a woman who wants a lot of money from Amazon, but hasn’t explained why. The first email, sent last month, said only “I want 1 trillion from Amazon over ‘Chicken.'” Of course I was intrigued but didn’t have time to look into it then. Yesterday we got a second email from the same address, this one saying that “[t]here was a ‘transaction for 1 trillion that was supposed to be sent to Regions Bank at the corner of Sandy Plains and Shallowford.” There is a Regions Bank at that address in Marietta, Georgia, but if they are missing a trillion dollars, they don’t seem to have reported it yet. Anyway, if you know anything about the missing $1 trillion, or you are willing to represent Kimberly about “Chicken,” could you contact her directly? Thanks.
- Of course that would by no means be the largest claim ever made in litigation. It would fall short by something like 24 orders of magnitude, in fact. See “Two-Undecillion-Dollar Demand Spells Trouble for Au Bon Pain” (May 13, 2014). Unless there’s been a bigger one more recently, though I think that’s doubtful. See “Twenty-One-Octillion-Dollar Demand Still Not a Record” (Apr. 21, 2022) (criticizing that claimant for a lack of ambition).
Squid Dominated the Oceans in the Late Cretaceous
Jul. 11th, 2025 09:04 pmbruce_schneier_feedNew research:
One reason the early years of squids has been such a mystery is because squids’ lack of hard shells made their fossils hard to come by. Undeterred, the team instead focused on finding ancient squid beaks—hard mouthparts with high fossilization potential that could help the team figure out how squids evolved.
With that in mind, the team developed an advanced fossil discovery technique that completely digitized rocks with all their embedded fossils in complete 3D form. Upon using that technique on Late Cretaceous rocks from Japan, the team identified 1,000 fossilized cephalopod beaks hidden inside the rocks, which included 263 squid specimens and 40 previously unknown squid species.
The team said the number of squid fossils they found vastly outnumbered the number of bony fishes and ammonites, which are extinct shelled relatives of squids that are considered among the most successful swimmers of the Mesozoic era.
“Forty previously unknown squid species.” Wow.
As usual, you can also use this squid post to talk about the security stories in the news that I haven’t covered.
Turmoil In The Toybox
Jul. 11th, 2025 06:21 pmpennyarcade_feedWhen Gabe and I were writing the strip, Brenna came in and was talking about some kind of altercation she had gotten into with a man online about "woke diabetes barbie." I feel like… I feel like if I had spent a lot of time thinking about that, I would be kind of embarrassed. I have a somewhat complex relationship with masculinity in general, which I'm sure comes as no surprise given my, you know, everything. I had to compile a custom manhood from snips of things I found on GitHub and I don't know if it would even be a durable identity for anyone else. I don't feel any particular compulsion to be a guard on the gate that winnows true men from beta cucks. I have much, much bigger fish to fry. Whatever masculinity is, though, I'm certain it doesn't involve arguing with my wife online about dolls.
George Lucas Heads to San Diego Comic-Con for the First Time — to Promote His Museum
Jul. 11th, 2025 05:58 pmtordotcom_feedGeorge Lucas Heads to San Diego Comic-Con for the First Time — to Promote His Museum
The Hall H panel will be moderated by Queen Latifah and also include Guillermo del Toro and Daniel Chiang
Published on July 11, 2025
Lucas photo courtesy of Skywalker Properties Ltd.; Museum construction photo by Sand Hill Media/Eric Furie
Lucas photo courtesy of Skywalker Properties Ltd.; Museum construction photo by Sand Hill Media/Eric Furie
On Sunday, July 27, 2025, George Lucas, the creator of Star Wars, will make his way to the Hall H stage at San Diego Comic-Con for the first time. The reason he’s there, however, isn’t for a galaxy far, far away: It’s to discuss the power of illustrated storytelling, and also give the audience a sneak peek of the Lucas Museum of Narrative Art, which is nearing the end of construction in downtown Los Angeles.
The panel, descriptively titled “Sneak Peek of the Lucas Museum of Narrative Art,” will be moderated by renowned singer and actor Queen Latifah, and Lucas will be joined onstage by Guillermo del Toro (Hellboy, Crimson Peak, and many other great films) and artist Doug Chiang, who for decades has been shaping the look and feel of Star Wars universe.
“We are beyond thrilled to welcome George Lucas to Comic-Con for the very first time,” David Glanzer, Comic-Con’s chief communications and strategy officer said in a statement. “Nearly five decades ago, Star Wars made one of its earliest public appearances at our convention, along with a booth featuring Howard Chaykin’s now legendary Star Wars poster as a promotional item. Now, to have Mr. Lucas return—this time to debut the Lucas Museum of Narrative Art—is a true full-circle moment. His lifelong dedication to visual storytelling and world-building resonates deeply with us and our community, and the museum’s mission to celebrate narrative art in all its forms perfectly reflects what Comic-Con has championed from the very beginning.”
The Lucas Museum of Narrative Art was co-founded by Lucas and Mellody Hobson, and is set to open in 2026. It will feature art from Norman Rockwell, Kadir Nelson, Jessie Willcox Smith, N. C. Wyeth, Beatrix Potter, Judy Baca, Frida Kahlo, and Maxfield Parrish; as well as comic art legends such as Winsor McCay, Jack Kirby, Frank Frazetta, Alison Bechdel, Chris Ware, and R. Crumb; and photographers Gordon Parks, Henri Cartier-Bresson, and Dorothea Lange. It will also house the Lucas Archive, which contains props, models, concept art, and costumes from Lucas’ filmmaking career. [end-mark]
The post George Lucas Heads to San Diego Comic-Con for the First Time — to Promote His Museum appeared first on Reactor.
Superman Cracks a Long-Forgotten Code to Its Central Character
Jul. 11th, 2025 05:40 pmtordotcom_feedSuperman Cracks a Long-Forgotten Code to Its Central Character
The movie is over-stuffed, but who cares when being kind is the new punk rock?
Published on July 11, 2025
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<h2 class="post-hero-title text-h1"><i>Superman</i> Cracks a Long-Forgotten Code to Its Central Character</h2>
<div class="prose post-hero-description prose--post-hero">The movie is over-stuffed, but who cares when being kind is the new punk rock?</div>
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<p>It’s a cliché at this point to say that it’s difficult to make a decent Superman film. And what makes that cliché frustrating is that too many moviegoers (and the general populace) take this as a given, and too many of them cite the same tired reasoning for said difficulty: It’s just too hard to make someone so good and so powerful <em>interesting</em>, don’t ya know?</p>
<p>And golly, it says a lot of things about us—as a society and an era—that so many people believe that. (The ‘golly’ is relevant here, I swear.) At a point in time when cynicism and distrust are at load-bearing capacity in so many facets of our lives, if we can’t conceive of a way to make goodness interesting… we might as well pack it in. We’re toast, y’all.</p>
<p>So, to say that a new Superman film has its work cut out for it is a massive understatement. And while imperfect on its face, what I can say about the latest attempt is simply this—as the film ended, I became aware that I was grinning. One of those embarrassing open-mouthed grins, and one that I had no intention of breaking. I think I’d forgotten what that felt like.</p>
<p>We start in media res, and quickly learn that Superman (David Corenswet) has gotten into a bit of trouble for intervening in foreign affairs—Boravia is America’s ally and preventing their invasion of Jarhanpur has made things complicated politically. He’s also, naturally, working for the Daily Planet and dating coworker Lois Lane (Rachel Brosnahan), who is aware of his double identity. (Look, it’s not <em>that</em> hard to figure out.) Meanwhile, CEO Lex Luthor (Nicholas Hoult) is doing his level best to find dirt on “the alien” who draws so much of his ire… and uncovers the perfect ammunition in the—fully restored, thanks to nanotechnology—message left by Clark’s Kyptonian parents, Jor-El, and Lara Lor-Van (Bradley Cooper and Angela Sarafyan) at the Fortress of Solitude. As the world turns on their erstwhile hero and LordTech’s Justice Gang (Nathan Fillion as Guy Gardener / Green Lantern, Edi Gathegi as Michael Holt / Mister Terrific, and Isabela Merced as Kendra Saunders / Hawkgirl) reap a few benefits, the global situation only gets worse.</p>
<p>A few very clever things are happening in this film, but it still might not be your personal jam. These calibrations are tricky at our point of superhero saturation, and we’re all reaching for different things to make these movies feel fresh to our brains. For my part, I think writer-director James Gunn made a fascinating choice in combining two distinct oeuvres for the character. First, the film begins much like the Richard Donner films—in that Superman is a known quantity who does not have to go through the motions of revealing himself to the world. Similar, also, to <em>Batman: The Animated Series</em>, we don’t have to smash all the same origin narrative buttons, or spend time grappling with how people react to him, or to any “metahumans” as they’re being termed. They exist and are part of the status quo of this reality—which is always a more interesting place to start.</p>
<p>Second, and perhaps more important for the exercise: This movie feels more like a comic book than maybe any comic book film that’s come before it. Imagine that you popped into your local shop and scooped up the latest issues of a Superman run, and you’ve got a pretty good idea of what you’re in for. The angle here is clearly: You know who this guy is. You know what these movies are. You can handle it, even if things are a little messy.</p>
<p>Does it mean that this film is at times over-crowded and juggling a few too many threads? Sure, but that also manages to be part of the fun. Not every movie demands such careful focus, and frankly, it’s a relief to watch these characters interact like they’re all comfortable with one another. It’s true in the moments at the Daily Planet, where Lois and her coworkers behave like people who genuinely work together all day every day, as in all the interactions between Clark and the Justice Gang, who have their own comical rapport.</p>
<p>A few characters get missed in this sprawling landscape, and they are telling for both their underuse, and how often Gunn favors actors with specific brands of charisma. For example, Fillion’s Guy Gardener is a frequent delight—but Isabela Merced’s Hawkgirl isn’t fully cooked here, which sets her apart in a bad way when Gathegi’s Mister Terrific gets his much-deserved spotlight. (I’ll take it, as Edi Gathegi has been criminally overlooked as an actor for years—justice for Darwin in <em>X-Men: First Class</em>.) Similarly, María Gabriela de Faría’s turn as Angela Spica / The Engineer feels as though it’s missing significant backstory, which is relevant when her character’s drive is so important to the antagonism Superman is facing. But on the positive side, we’ve got Pruitt Taylor Vince and Neva Howell as Jonathan and Martha Kent, proving that the most important attribute for Clark’s adoptive parents is that they seem like actual human people, not multi-award-winning superstars. (Stop stunt casting superhero extended families! It’s distracting and it doesn’t work.)</p>
<p>Oh, and yes, the dog is great. And will make you sniffle. Krypto is too CGI’d onto his living canine counterpart for my tastes, but he’s so dang good.</p>
<p>Lois Lane gets her due in Brosnahan’s hands, in that the character doesn’t feel overly ingenue-d (a problem I admittedly always had with Margot Kidder’s version) or simply “Reporter, but make it a Woman this time” with few other characteristics. Audiences know that Lois Lane is supposed to be great at her job—they need to know what else is in there, and this iteration feels more complete than usual, especially on film. Moreover, the romance with Clark never undercuts her commitment to her work, her interest in challenging his actions, or her own self-assuredness. We also find out that she was a bit of a punk in her youth, which is always reassuring.</p>
<p>But the toughest sell is always Superman himself, and Corenswet brings that Reeve-ian charm we’ve been searching for, while allowing for all the idiosyncrasies the character is often missing. Here is a Clark Kent who is young enough to be a little petulant; to be certain of right and wrong without any thought toward complexity; to falter but search tirelessly for ways to get back up. He’s earnest, and eager, and so very <em>cheesy</em>—and I need it understood that when I say cheesy, I am bestowing it as the world’s highest compliment. Please, for the love of everything we hold dear: <em>Let Superman be cheesy. </em>Let him be a little cringe. Our cultural moment’s obsession with eschewing those things is a mistake, and making us more jaded by the minute. Let Clark Kent remind us that these are thoroughly enjoyable and very cool things to be.</p>
<p>It’s not just that Clark is thoroughly enjoyable to watch as a character—it’s that Lex Luthor <em>isn’t</em>. Oh, Nicholas Hoult is doing an electric job as always, sharp and suited and grandiose and casually cruel every step of the way. But it feels relevant that, in nearly every acted iteration of the character before him, Lex Luthor was always <em>entertaining</em> as a presence in the Superman mythos. Even Jesse Eisenberg’s departure from the norm was fun to watch, in its own backwards way. Yet here? Luthor feels malignant, like a cancer that needs eradicating. There’s never a moment where you want to root for him, never a point where he feels like a guy we can all relate to. He’s selfish and petty, and his evil is utterly banal, no matter how intelligent he may be.</p>
<p>The film has plenty of homages to previous Supermans on film, with an eye toward what worked and what didn’t. There are a few enjoyable shoutouts, including the reintroduction of Eve Teschmacher (Sara Sampaio) as Lex Luthor’s girlfriend, reworking one of the better twists of Donner’s run. But in a pointed reverse of everything Zach Synder offered to audiences in <em>Man of Steel</em>, Superman’s journey is not defined by his alien heritage and superiority; it is defined by the love of his human parents and his choice to belong here. To us. <em>With</em> us.</p>
<p>Even—and especially—when it’s hard.</p>
<p>Look, I’m interested in all sorts of Superman takes and reduxes and reimaginings. But it’s been a long time since the character has fully felt like himself, and offered hope in a manner that felt organic rather than proselytizing. So when all is said and done, I’m on board with the messiness—I’ll take crowded any day if it means that Superman is <em>fun</em> again.</p>
<p>It does prove one element unequivocally, too: If your Superman can use the John Williams theme, you’ve probably done it just right.[end-mark]</p>
<p>The post <a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/"><i>Superman</i> Cracks a Long-Forgotten Code to Its Central Character</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/">https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818096">https://reactormag.com/?p=818096</a></p>
Maggie Levin Will Adapt Clay McLeod Chapman’s Ghost Eaters for Film
Jul. 11th, 2025 05:35 pmtordotcom_feedMaggie Levin Will Adapt Clay McLeod Chapman’s Ghost Eaters for Film
Get ready for some really trippy fictional drugs.
Published on July 11, 2025
Author photo: Quirk Books
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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/">https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818081">https://reactormag.com/?p=818081</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal">
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<h2 class="post-hero-title text-h1">Maggie Levin Will Adapt Clay McLeod Chapman’s <i>Ghost Eaters</i> for Film</h2>
<div class="prose post-hero-description prose--post-hero">Get ready for some really trippy fictional drugs.</div>
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<p class="post-hero-author text-xs font-aktiv uppercase font-medium [&_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p>
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Published on July 11, 2025
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<div class="post-hero-caption post-hero-caption-vertical [&_a]:link"><p>Author photo: Quirk Books</p>
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<img decoding="async" width="740" height="442" src="https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-740x442.jpeg" class="w-full object-cover" alt="Author Clay McLeod Chapman and the cover of Ghost Eaters" srcset="https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-740x442.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-1100x656.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-768x458.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-1536x917.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-2048x1222.jpeg 2048w" sizes="(max-width: 740px) 100vw, 740px" /> </figure>
<div class="post-hero-caption post-hero-caption-horizontal [&_a]:link"><p>Author photo: Quirk Books</p>
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<p>An adaptation of Clay McLeod Chapman’s novel <em>Ghost Eaters</em> is in “early development,” <a href="https://www.hollywoodreporter.com/movies/movie-news/ghost-eaters-adaptation-scott-derrickson-maggie-levin-1236311508/" target="_blank" rel="noreferrer noopener">according to <em>The Hollywood Reporter</em>.</a> Maggie Levin (<em>My Valentine</em>) will write and direct the film, which has Vince Cheng, C. Robert Cargill, and Scott Derrickson as producers.</p>
<p>Derrickson and Cargill are on a horror roll; they are also the pair behind the <em>Black Phone</em> films. </p>
<p><em>Ghost Eaters</em> was published in 2022 by Quirk Books and was a “best horror novel of the year” at <em>Vulture</em>, <em>Paste</em>, CrimeReads, and BookRiot. <em>Esquire</em> called it “a nostalgia trip to the late-’90s indie-nihilism of <em>Fight Club</em> and <em>Donnie Darko</em>, in a story about addiction and mushrooms that let you see the dead.”</p>
<p>The synopsis says:</p>
<figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Erin hasn’t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab—again—she knows she needs to cut him off. But days after he gets out, Silas turns up dead of an overdose in their hometown of Richmond, Virginia, and Erin’s world falls apart.<br><br>Then a friend tells her about Ghost, a new drug that allows users to see the dead. Wanna get haunted? he asks. Grieving and desperate for closure with Silas, Erin agrees to a pill-popping “séance.” But the drug has unfathomable side effects—and once you take it, you can never go back.</p></blockquote></figure>
<p>Chapman is the author of several other novels; his most recent, <em><a href="https://reactormag.com/excerpts-wake-up-and-open-your-eyes-by-clay-mcleod-chapman/" target="_blank" rel="noreferrer noopener">Wake Up and Open Your Eyes</a></em>, was published earlier this year. He recently signed a <a href="https://www.instagram.com/p/DJ63K0OAhN9/" target="_blank" rel="noreferrer noopener">three-book deal with Nightfire</a>; his first book for the imprint, <em>Mr. Lonelyhearts</em>, is due in 2027.</p>
<p>No casting or production timeline for <em>Ghost Eaters</em> has been announced.[end-mark]</p>
<p>The post <a href="https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/">Maggie Levin Will Adapt Clay McLeod Chapman’s <i>Ghost Eaters</i> for Film</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/">https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818081">https://reactormag.com/?p=818081</a></p>
Baldur's Gate 3 is part of the Xbox sales and you need to play it
Jul. 11th, 2025 04:39 pmtrueachievements_feedBaldur's Gate 3 is once again on sale at its lowest price on Xbox
Tradecraft in the Information Age
Jul. 11th, 2025 04:06 pmbruce_schneier_feedLong article on the difficulty (impossibility?) of human spying in the age of ubiquitous digital surveillance.
Xbox pulls port of PS1 classic WipEout from Microsoft Store
Jul. 11th, 2025 03:04 pmtrueachievements_feedWipEout has been wiped out on Xbox
Ammonite on sale $1.99—one day only!
Jul. 11th, 2025 02:47 pmasknicola_feed
Apple Books | Amazon | Barnes&Noble | Google Play
- “Ammonite, by Nicola Griffith, is the first novel of a major talent.” — Denver Post
- “Uncompromisingly packed with non-dogmatic feminist and queer ideologies… Griffith reveal[s] herself to be fluent in presenting realistic science and its implications, capable of cinematic clarity in her prose, insightful with emotions and character.” — Washington Post Book World
It was a cut-rate little mass market paperback original, with no publisher support and zero marketing or publicity budget—in the days before social media. Yet it won a boatload of awards and was named #25 on Esquire‘s Best Science Fiction of All Time.
- “Gripping and gutsy, rich in layers of feminist and queer thought, Ammonite gleefully throws a stick of dynamite into the sci-fi firmament.” — Esquire
- “Ammonite is utterly believable, and at times heart-wrenching in its emotional power; the characterisation is impeccable.” — New Statesman and Society
- “Ms. Griffith is an astonishingly gifted writer… Her work is of the very best in the lesbian and gay literary field.” — Allen Ginsberg
Curious about why I’ve been inducted into the SFF Hall of Fame?
- “Ammonite is a self-assured, unselfconscious, convincing depiction of a world without men…doing what only SF can do, and doing it with skill and brio. It answers the question ‘When you eliminate one gender, what’s left?’ (‘A whole world,’ is the answer.)” — Ursula K. Le Guin
- “Nicola Griffith’s first novel, Ammonite, flies all the banners of traditional sf but beneath the banners, it is armed to the teeth against convention.” — Interzone
Why I was recently honoured as the 41st Damon Knight Memorial Grand Master?
- “Ammonite represents a major, no, make that a revolutionary change…a remarkable departure from the commonplace.” — Locus
- “A serious assault on conventions so enormous that it is very much more dangerous, sometimes, than writing about lesbianism.” — Dorothy Allison
- “Pays homage to Ursula K. Le Guin’s Left Hand of Darkness without inviting invidious comparisons.” — New York Times Book Review
Well, this is where it all began.
- “Probably the best debut novel of the year—an accomplished, moving, intelligent, and graceful examination of gender roles, and a helluva good read.” — The New York Review of Science Fiction
- “Pays homage to Ursula K. Le Guin’s Left Hand of Darkness without inviting invidious comparisons.” — New York Times Book Review
So here’s your chance to try it—for just $1.99—today only. All US platforms (maybe Canada too, but you should check that). If you’ve already read it, buy it for a friend. Perhaps they’re curious, too…
Bookshop.org | Apple Books | Amazon | Barnes&Noble | Google Play
- winner, Tiptree award
- winner, Lambda Literary Award
- winner, Premio Italia
- runner up, Locus First Novel Award
- shortlist, British Science Fiction Award
- shortlist, Arthur C. Clarke Award
- Esquire, Best 75 Sci-Fi Novels of All Time
Two new interviews
Jul. 11th, 2025 10:27 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
marthawellsIn Psychopomp, with me, Wole Talabi and Alix E. Harrow:
https://psychopomp.com/fantasy/issue97/interview-with-world-fantasy-finalists-part-one/
And in Scientific American:
https://www.scientificamerican.com/article/were-light-years-away-from-true-artificial-intelligence-says-murderbot/
https://psychopomp.com/fantasy/issue97/interview-with-world-fantasy-finalists-part-one/
And in Scientific American:
https://www.scientificamerican.com/article/were-light-years-away-from-true-artificial-intelligence-says-murderbot/
The Aunts Are Back For Practical Magic 2
Jul. 11th, 2025 02:52 pmtordotcom_feedThe Aunts Are Back For Practical Magic 2
The magical sequel has also snagged Lee Pace for an unknown role.
Published on July 11, 2025
Screenshot: Warner Bros.
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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/">https://reactormag.com/the-aunts-are-back-for-practical-magic-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818060">https://reactormag.com/?p=818060</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal">
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<h2 class="post-hero-title text-h1">The Aunts Are Back For <i>Practical Magic 2</i></h2>
<div class="prose post-hero-description prose--post-hero">The magical sequel has also snagged Lee Pace for an unknown role.</div>
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<p class="post-hero-author text-xs font-aktiv uppercase font-medium [&_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p>
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Published on July 11, 2025
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<p>Finally, an answer to the most important question about <em>Practical Magic 2</em>: Yes, Stockard Channing and Dianne Wiest will return as Aunt Franny and Aunt Jet. <a href="https://deadline.com/2025/07/practical-magic-2-adds-six-to-cast-1236454716/" target="_blank" rel="noreferrer noopener">Deadline has the news</a> that the two actors will return to their beloved roles—oddly and intriguingly, it’s wrapped into a much larger cast announcement.</p>
<p>Character details and anything resembling a plot are still locked in a chest full of magical accoutrements, but newcomers to the series include Maisie Williams (<em>Game of Thrones</em>), Xolo Maridueña (<em>Blue Beetle</em>), Solly McLeod (<em>House of the Dragon</em>), and Lee Pace (<em>The Fall</em>, <em>Foundation</em>). </p>
<p>One character is confirmed: Joey King is set to play the daughter of Sandra Bullock’s character, Sally.</p>
<p>The original <em>Practical Magic</em>, released in 1998, starred Bullock and Nicole Kidman as orphaned sisters from a long line of witches. They live under a family curse: If they fall in love with a man, he’s doomed to die. Naturally, one decides never to fall in love, and one goes the opposite direction. There’s poisoning, and potions, and possessions, and a happy ending—but presumably a few things will have changed, almost 30 years later.</p>
<p><em>Practical Magic 2</em> is directed by Susanne Bier (<em>Bird Box</em>) from a screenplay by original screenwriter Akiva Goldsman and Georgia Pritchett (<em>Veep</em>, <em>Avenue 5</em>). The original film was based on Alice Hoffman’s novel, and while she did write sequels, it’s entirely unclear if the new film follows the story of any of Hoffman’s subsequent books. </p>
<p>The magic returns to theaters on September 18, 2026.[end-mark]</p>
<p>The post <a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/">The Aunts Are Back For <i>Practical Magic 2</i></a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/">https://reactormag.com/the-aunts-are-back-for-practical-magic-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818060">https://reactormag.com/?p=818060</a></p>
Murderbot Is Faced With a Choice in Season Finale “The Perimeter”
Jul. 11th, 2025 02:00 pmtordotcom_feedMurderbot Is Faced With a Choice in Season Finale “The Perimeter”
First comes the illusion of choice; then a real one.
Published on July 11, 2025
Image: Apple TV+
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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/">https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817845">https://reactormag.com/?p=817845</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal">
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<h2 class="post-hero-title text-h1"><i>Murderbot</i> Is Faced With a Choice in Season Finale “The Perimeter”</h2>
<div class="prose post-hero-description prose--post-hero">First comes the illusion of choice; then a real one.</div>
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Published on July 11, 2025
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<p>We’ve reached the final episode of what is hopefully the first of many seasons of <em>Murderbot</em>. In it, we get corporate shenanigans, a PR nightmare, and the illusion of choice.</p>
<p><strong>Spoilers ahoy!</strong></p>
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<p>“Something has happened.” We open with “system reboot” flashing on the screen. Murderbot’s voice sounds hollow. It repeats that phrase as its eyes open, sounding more like itself now. Murderbot doesn’t know where it is, but we the audience do. It’s back in the Threshold Pass Fabrication Center from the fourth episode. The workers wipe its memory, and the last thing it sees is Mensah gazing up at it. Next comes a new governor module (and a globule of spit). The Company claims SecUnits are nothing more than equipment, but they treat them worse than that. You don’t humiliate, degrade, and insult a tent, to use Arada’s example. The workers treat the equipment they use to maintain SecUnits better than they treat the actual SecUnits.</p>
<p>PresAux is also in the Corporate Rim, back in the meeting room where they made their initial deal with the Company. The suits are confused as to why they’re so concerned with “the physical location of a particular piece of equipment.” Pin-Lee gets to play lawyer for a hot minute as they take on the “fucker” in charge. Later, as the group discusses next steps, they’re torn about SecUnit. As Gurathin points out, “that Unit is full of proprietary data.” He’s certain the Company is going through Murderbot’s memory looking for anything they can sell. </p>
<p>Things aren’t great in the Corporate Rim. We’ve seen hints of this in the indenture contracts and Gugu getting press ganged into the Company’s espionage squad, but now we see that unrest billowing out into the working class. SecUnit’s contract has been passed onto law enforcement, something Ratthi discovers the hard way. I live in Southern California, where the military is marching around doing disruptive demonstrations, ICE is terrorizing my neighbors, and local cops are aiding and abetting the state. So to see Murderbot go from a goofy little droid who just wants to watch space soaps to a weapon of state violence was a hard dose of truth in fiction. </p>
<p>Strikers are protesting and the cops are eager to “do some damage” by antagonizing the workers into bloodshed. It’s a helluva thing to hear human strikers chant “We’re not slaves!” while a bunch of cops sic a group of enslaved constructs on them. Because these people are in violation of their indenture contract, they’re effectively without rights. However, remember that most of these humans are/were on indenture. Indenture is terrible for everyone involved except those turning a profit, but it’s not slavery. They have the choice to strike and fight back (so did real enslaved Africans, to be fair; there were a couple hundred slave rebellions in the so-called New World, not to mention the Haitian Revolution). SecUnits do not have that choice. </p>
<p>Those strikers don’t see SecUnits as potential allies. Why would they? SecUnits are things, equipment, tools. They aren’t people to Corporate Rim indentured workers. That division is sown by the Corporate Rim and reinforced by Corporate Rim humans (and those streaming shows Murderbot likes so much). That fraction of a memory of a massacre is still in Murderbot’s brain, and it pops back right as the melee kicks off with the protestors, causing it to glitch out. It doesn’t want to hurt humans, no matter what its governor module commands. Instead of using Murderbot’s glitch as an opportunity to go after the human cops or to try and turn that SecUnit to their side, the strikers pummel Murderbot with their own weapons. On one hand, I understand why. They feel powerless, and as we’ve seen before, wielding what tiny bit of power they have over SecUnits is a way to feel in control of their lives. On the other hand, SecUnits are tools in this situation; go after the hand holding the weapon, not the weapon itself. Most of the humans in the fray aren’t doing anything but cheering on those attacking Murderbot with hammers. They aren’t attacking other SecUnits or the cops, just celebrating destroying a toaster. It’s a complicated, nuanced scene in which humans on both sides come out looking not great.</p>
<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="552" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-1100x552.jpeg" alt="Gurathin considering in Murderbot S1 finale "The Perimeter"" class="wp-image-817877" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-1100x552.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-740x371.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-768x385.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-1536x770.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-2048x1027.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Apple TV+</figcaption></figure>
<p>This moral haziness is explored again through Gurathin’s interactions with his former drug dealer. The guy acts like he had no choice and elides all responsibility, as if the fact that he doesn’t deal drugs <em>now</em> makes up for what he did <em>then</em>. He did his time in the trenches. He used Gurathin to earn his way into a good job, nice apartment, and a happy, well-cared-for kid. He nearly ruined Gurathin’s life, but at least he came out on top, right? Then Gurathin turned around and did the same thing to Mensah, or tried to before he realized he wasn’t a slave to the Company, not really. He had a choice. His memory wasn’t wiped. He didn’t have a governor module installed (his version of that was the drugs, and he was able to kick that, just like Murderbot). He has a choice now, too. The Gurathin we met in the first episode wouldn’t have confronted his former dealer and taken all this risk to help a SecUnit. Gurathin uses the guy to get access to the data file and tracks down Murderbot’s memory. Then he does something surprising. He downloads all of Murderbot’s memories into his own brain. He’s been digging around Murderbot’s mind all season, and now he finally gets full access… and he does it all to help Murderbot. </p>
<p>After glitching, Seccy is decommissioned and set to be destroyed in acid, the thing it fears the most. It’s been stripped of its armor and is fully exposed, but it has no reaction. It’s a blank slate. Fortunately, it’s saved at the last minute by Pin-Lee’s injunction. Back in their quarters, Mensah is devastated that its organic parts haven’t retained any memory of them. It’s curious that it still has the massacre memory and not anything of PresAux. I feel like Mensah has a pretty big impact on it. Either way, Gura passes on the memories and Murderbot is back! A bit subdued, but back nonetheless. According to Mensah, it’s going with them to Preservation Alliance where it will be a “free agent.” Except no, not quite. It won’t have a job, a purpose, or even its armor. It will be under Mensah’s guardianship. </p>
<p>Preservation Alliance can sneer at indenture and slavery all they way, but they’re doing something not all that dissimilar to constructs. Murderbot would be free to make simple choices such as picking a hobby or deciding what clothes to wear, but bigger things would seemingly require Mensah’s permission or are outright denied (it couldn’t marry a human, for example). Even if she was likely to say yes, it is in effect putting another governor module on it. What Preservation Alliance offers isn’t freedom, it’s ownership by another name. All this reminds me of how 19th century white abolitionists often talked about freeing enslaved Africans but didn’t think they could be educated or have equal rights. I think of Phillis Wheatley Peters, whose poetry authorship was consistently challenged as either a trick or a pleasant surprise that couldn’t be replicated by other enslaved Africans. I think of Sojourner Truth’s speech from the 1851 Ohio Woman’s Rights Convention and how the version most people know is not her true voice but a heavily altered transcript produced more than a decade later by a white woman abolitionist that changed Truth’s words to sound like the stereotype of an ignorant, largely illiterate Black Southerner. I think of that line in <em>Sinners</em> about Jim Crow in the North: “Chicago ain’t shit but tall buildings instead of plantations.” And I think about how Preservation Alliance still refers to it as SecUnit even though they know it calls itself Murderbot, even after it is no longer a Company-owned SecUnit. No one ever asks what it wants to be called. </p>
<p>In a moment that is both bitter and sweet, Gugu and Murderbot have a moment of total honesty and mutual respect. Gurathin wants to help Murderbot get used to Preservation Alliance, but Murderbot can’t go with them. The moment he realizes what Murderbot is asking for, you can see his heart break in real time. It’s tremendous acting from David Dastmalchian and Alexander Skarsgård. Not even Gurathin, a guy who experienced indenture at the hand of the Corporate Rim—indenture but not bondage—really understands why. Given her reaction, Mensah accepts its choice, even if she doesn’t like it. Gurathin gives it one last command and off Murderbot goes. As it sails away with a cargo transport bot excited to watch new shows, We get one last voiceover and a small smile: “I don’t know what I want. But I know I don’t want anyone to tell me what I want…or to make decisions for me. Even if they are my favorite human.”</p>
<p>Thank you for joining me on this journey! I hope you loved this show as much as I did. I think the showrunners did a great job expanding the world Martha Wells created while staying true to the tone and themes. I maintain that the show should’ve cast a nonbinary spectrum actor in the lead, but Skarsgård did win me over. I’ve been watching him in other movies and TV and he is a much better actor than I gave him credit for. Lots of good, subtle work from him. The ending wasn’t some big cliffhanger, but it was perfect. <a href="https://reactormag.com/murderbot-has-been-renewed-for-a-second-season-on-apple-tv/" target="_blank" rel="noreferrer noopener">Season 2</a> can’t come soon enough!</p>
<p>If you want more Murderbot, I’ll be covering the entire series starting this summer with <em>All Systems Red</em> over at Reactor’s <a href="https://reactormag.com/tag/martha-wells-book-club/" target="_blank" rel="noreferrer noopener">Martha Wells Book Club</a>. </p>
<hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" />
<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="460" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-1100x460.jpeg" alt="Murderbot in civilian clothes, traveling in Murderbot S1 finale "The Perimeter"" class="wp-image-817876" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-1100x460.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-740x310.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-768x321.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-1536x643.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-2048x857.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Apple TV+</figcaption></figure>
<p><strong>Final Thoughts</strong></p>
<ul class="wp-block-list">
<li>Episode 10 covers the rest of chapter 7 and chapter 8 (the rest of the book) in <em>All Systems Red</em>, but much of the episode is invented for the show.</li>
</ul>
<ul class="wp-block-list">
<li>Not hearing Murderbot’s voiceover hit harder than I expected. The silence was deafening. </li>
</ul>
<ul class="wp-block-list">
<li>I’m going to be thinking about that little half smile Gura does when Mensah asserts her authority and that lone tear when he realizes Murderbot is leaving forever.</li>
</ul>
<ul class="wp-block-list">
<li>It’s not lost on me that most of the cops are white or white presenting.</li>
</ul>
<ul class="wp-block-list">
<li>That hostile alien world is officially known as planetary body 898/8712. How creative.</li>
</ul>
<ul class="wp-block-list">
<li>Nice little nod as to why Murderbot doesn’t like eye contact. It spent its entire life having to look at humans directly as part of its normal functioning, albeit from the privacy of its helmet. Once it hacks its governor module, it gets to choose how it wants to look at them based on how it feels about that interaction. That and watching TV are pretty much the only choices it gets to make before meeting PresAux.</li>
</ul>
<ul class="wp-block-list">
<li>I love the shot of Murderbot as it stands just off center in the PresAux suite. Hands in loose fists, wearing fabricated clothing and surrounded by things it cannot use and doesn’t own.</li>
</ul>
<ul class="wp-block-list">
<li>I think that was the first time we’ve seen Gurathin and Murderbot really smile, and they did it to each other.</li>
</ul>
<ul class="wp-block-list">
<li>I think the show needed to dig into the guardianship aspect a little more. It gets glossed over so that the impact of why Murderbot chooses to leave doesn’t carry as much weight as it should. Most of my reaction in this review was based on what I know from the books, rather than the show itself. I also wish we got a depiction of the cargo bot interaction, even if just as data on Murderbot’s screen. It would help set up for ART, assuming season 2 follows at least part of the plot of <em>Artificial Condition</em>. </li>
</ul>
<ul class="wp-block-list">
<li>The first thing Murderbot does when it’s finally free? It sits down. </li>
</ul>
<div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div>
<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="460" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-1100x460.jpeg" alt="Murderbot surrounded by PresAux out of it's armor in Murderbot S1 finale "The Perimeter"" class="wp-image-817875" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-1100x460.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-740x310.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-768x321.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-1536x643.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-2048x857.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Apple TV+</figcaption></figure>
<p><strong>Quotes</strong></p>
<figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Madam President. You will address me as Madam President.” Damn Mensah! </p></blockquote></figure>
<div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div>
<figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“On the Corporate Rim, eventually there is nothing but misery.” </p></blockquote></figure>
<div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div>
<figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Murderbot saying “I’m going to…check the perimeter,” then cutting Gurathin off with “I <em>need</em> to check the perimeter.” My heart!</p></blockquote></figure>
<div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div>
<figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Murderbot, end message.”</p></blockquote></figure>
<div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div>
<p>[end-mark]</p>
<p>The post <a href="https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/"><i>Murderbot</i> Is Faced With a Choice in Season Finale “The Perimeter”</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/">https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817845">https://reactormag.com/?p=817845</a></p>
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